Paul Heinz

Original Fiction, Music and Essays

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Squire's Death and Concert Memories

I was shocked upon hearing the news earlier this week of Yes bassist Chris Squire’s death at age 67.  I didn’t worship or even revere Squire – the last time I saw him perform, my main impression of him was that he could lose about fifty pounds and definitely lose the leather pants – but he was one of those guys back in the early 80s that inspired me and my love for music.  And as I read the details of his passing, it occurred to me that this is only the beginning.  If you’re a music fan of the old bands from the 60s and 70s, the next couple of decades are going to be rough.

I went through a mental list of all the performances I’ve seen since I saw Billy Squire at Summerfest in 1981 with my buddy John, followed by Crosby, Stills and Nash and Rush the following year.  The truth is that except for a few supporting members like Clarence Clemens and Danny Federici of the E Street Band, Howie Epstein of the Heartbreakers and two of the Wilson brothers of Beach Boys fame, the guys I’ve watched perform are still around and still performing, which is something I never fathomed.  When I saw Yes for the first time in 1984 I recall thinking that a whole fifteen years had passed since the band originated and that I was lucky to be seeing them before they call it a day.  Well, now more than double that period of time has passed, and lo and behold, Yes will be performing this August in Chicago.  Crazy.  I mean, who would have thought back in 1982 that in 2015 you could see The Who, Rush, Yes, Paul McCartney, Elton John, and CSN? Insane.

But here we are in 2015, and Squire’s passing has prompted me to try to recall all the concerts I’ve seen over the years.  Unlike some of my prolific concert-seeing buddies, I’ve never been a huge live music guy.  I see a few big concerts a year, maybe a small one every couple of years, and that’s about it.  And with me, I tend to see the same bands over and over (Rush, Rufus Wainwright, Bed Folds).  I’m happy to say that most of these guys are still around (I just remembered seeing Big Country in 1993, and sadly, Stuart Adamson is no longer with us).  It’ll be very sad to see more of these guys go, as more and more of my record collection turns into a sort of memorial to artists of yesterday.

Here’s my list.  Not included are the 12 or 13 times I saw Pat McCurdy, and many of the bands listed were opening acts or part of a larger event (Steve Miller in 1994, for example).

’80 – Off Broadway (from the back!  I didn’t realize kids got discounted tickets for lower grand stand seats).

’81 – Billy Squire

’82 – CSN, Rush

’83 – Beach Boys, Supertramp, Genesis

’84 – Yes, Bruce Springsteen, Spyro Gyra, Rod Stewart, Elton John

’85 – Jean Luc Ponty, The Tubes and Utopia, Til Tuesday and Tom Petty, Patrick Moraz and Bill Bruford, Supertramp

’86 – Leo Kottke, Marillion and Rush, GTR, Julian Lennon, The Moody Blues

’87 – Peter Gabriel, Paul Simon, Tom Petty

’88 – Sting, Bruce Hornsby

’89 – Elvis Costello, BoDeans, Violent Femmes and Cowboy Junkies and Edie Brickell, Joe Jackson

’90 – Innocence Mission, Billy Joel, Jimmy Buffet, Rush

’91 – Blake Babies (I think this year?), Elvis Costello, Al Stewart, The Guffs, Innocence Mission, Rush

’92 – Genesis, John Mellencamp, Indigo Girls, Randy Newman, Wallflowers and 10,000 Maniacs

’93 – Michelle Shocked, Da Da and Sting, Big Country, The Connells

’94 – Rush, Melissa Etheridge and Steve Miller and Natalie Merchant, The Pretenders

’95 – Van Morrison, They Might Be Giants, Elvis Costello

’96 – Wynton Marsalis, James Taylor

’97 – Bar Scott (I think this year?).  Generally lost in parenthood, Broadway plays and living in Allentown

‘98 – Lost in parenthood, Broadway plays and living in Allentown

‘99 – Bruce Springsteen, but generally lost in parenthood, Broadway plays and living in Allentown

’00 – Joe Jackson, but generally lost in parenthood, Broadway plays and living in Allentown

’01 – Eve 6, Joe Jackson, Paul Simon, Yes, Ben Folds

’02 – Harry Connick, Jr., Rush, Paul McCartney, Yes, Ben Folds

’03 – Joe Jackson, Leo Kottke, Tom Petty, The BoDeans, Steve Earle, Jackson Browne, Randy Newman

’04 – Yes, Rufus Wainwright and Ben Folds, Patti Austin, Harry Connick, Jr., Barenaked Ladies, Marc Cohn

’05 – Paul McCartney, James Taylor, Indigo Girls

’06 – um…what the heck was I doing?

’07 – Rufus Wainwright, Roger Clyne and the Peacemakers

’08 – Randy Newman, Yes

’09 – Steely Dan

’10 – Company of Thieves, Craig Ferguson, Rufus Wainwright

’11 – Yes, Weird Al Yankovic, Rufus Wainwright, Paul Simon, Sting

’12 – The Hush Sound, James Taylor, Rufus Wainwright, Bruce Springsteen, Rush, Joe Jackson, Ben Folds Five

’13 – Sara Bareilles, Rush, Barenaked Ladies, Ben Folds Five, Paul McCartney, A Silent Film

’14 – Roger Hodgson, Devo and Arcade Fire, Jackson Browne, James Taylor

’15 – The Who, Rufus Wainwright, Graham Parker, Rush

The Dreaded Bucket List

Have a day. Shirt

Many of us have become adept at selling an image of ourselves – our brand, if you will – especially since the advent of social media.  We want to show the world that our lives are exciting, our kids are brilliant and that we’re well on our way to checking all the boxes on our bucket lists.  When I jumped out of an airplane in 1988, I took pictures, but I had nowhere to post them.  Today, if I were to jump out of an airplane, every person I’ve been in touch with in the last decade would know about my feat within seconds, and they might even get the false impression that I’m daring and interesting.

(This reminds me of my favorite line from the 1987 movie, Broadcast News.  When William Hurt’s character asks, “What do you do when your real life exceeds your dreams?”  Albert Brooks answers, “Keep it to yourself.”)

The problem is that we’re constantly exposed to other people’s accomplishments, and I find myself reading other people’s posts and thinking I don’t measure up.  What’s particularly bothersome to me are the dreaded Bucket Lists whose entries make me question whether the happy life I’m leading is all a fraud.  I resent the implication that I haven’t lived until I’ve (fill in the blank: scuba dived, bungee jumped, swam with whales, dolphins, sharks or any other large aquatic creature, gone on safari, traveled to anyplace that takes longer than a ten hour flight to get to, rock climbed, run a marathon or any other kind of “thon”, attended the Kentucky Derby, deep-sea fished, fished anywhere for anything, eaten liver or tongue…). 

Sure, my life is tame compared to some, but so what?  Well, social media keeps telling me what, and I start to get defensive.  I’ll even catch myself comparing my life to the lives of fictional characters while watching TV (“I don’t see Andy Taylor training for a marathon, and he seems pretty happy.”)

Yeah, it’s come to that. 

So, in the spirit of the old t-shirt that displays an unemotional face with the caption, “Have a day,” I'd like to share my bucket list that mostly involves not dying:

1)      Live at least another three and a half decades.

2)      Stay happily married until death do us part.

3)      Maintain a good relationship with my kids for the rest of my life.

4)      Regularly challenge myself in small ways.

There.  Throw in taking dance lessons someday and traveling to the Rock and Roll Hall of Fame and I think that just about covers it.   And lest you think my goals aren’t aiming high enough, I leave with a question: how many people live to be eighty-two, happily married, and still have good relationships with their kids?

A Lesson from St. Vincent and The Fisher King

** SPOILER ALERT *** If you haven’t seen these two movies, consider reading this essay after you do.

Watching Bill Murray’s film St. Vincent last week, I was reminded of another movie: The Fisher King, starring Jeff Bridges and Robin Williams.  Both the 1991 and 2014 releases are similar, not just because they’re manipulative and contrived, but because they could potentially lead one to view the more downtrodden among us differently.  How?  Well, that depends on how you look at things.  For some, the movies might invoke a spirited response similar to that of Christopher Tookey, who wrote of the Fisher King:

"The sagacity of the saga is diminished by screenwriter Richard LaGravenese's naively sentimental approach to homelessness and insanity.  Madness in this film can be cured just by knowing that someone cares about you, and homelessness is not a social problem, but a picturesque way that individuals have of coping with personal tragedy.”

Whereas Tookey feared people could stop viewing homelessness as a real problem, I remember walking away from The Fisher King with a more positive thought:  that its tale of a personal tragedy might lead people to view homeless in a more humane way, concluding that perhaps it wasn’t drug use, crime, or other poor choices that led their downfall, but rather a terrible event over which they had no control.

Never mind that generalizing a film’s depiction of a fictional character as a universal truth is unfair to a medium that’s primary purpose is to entertain.  After all, just because Robin Williams’s character suffered a horrendous tragedy doesn’t mean all homeless people have.  But it might be a positive step when we’re confronted with, say, a panhandler, to help use the movie as an example, and consider that this person asking for money may once have been living a full and rich life only to have a tragedy propel them downward (of course, you could argue that it shouldn’t matter one way or the other.  A person in need is a person in need, no matter what led to their circumstances).

St. Vincent walks a similar line to that of The Fisher King.  Its egregiously manipulative screenplay has the main character – who’s been a complete ass for most of the film – conveniently throw out the remnants of his nobler past just as a neighborhood kid watches through a window, thus casting the curmudgeon in a new light.  Like The Fisher King, this film seems to shout out, “Don’t judge a person too harshly – you don’t know what he’s been through.”

And as contrived as this message may be, this is exactly the default setting we should be employing in our lives.  When someone cuts us off on the highway, treats us inconsiderately at the cash register or demeans us at the doctor’s office, it’s easy for us to conclude that the person we’re dealing with is simply a low-life asshole who thinks of nothing but himself.  And you know what?  The easy conclusion may actually be right on the mark. 

But aren’t we much better served by assuming that the person who’s cut us off on the highway is in a terrible hurry because he just found out his spouse has cancer, or the inconsiderate cashier just discovered she can’t pay this month’s rent, or the demeaning physician just had to tell a patient that he’s dying.  Unlikely scenarios, perhaps, but possible, just like it’s possible the homeless person you encountered lost his wife in an unspeakably horrific way, and it’s possible that the cranky neighbor who everyone dislikes is a war veteran who’s been taking care of his wife with dementia for years.

It doesn’t hurt to assume the best in people, and it could even do a lot of good.  As Atticus Finch said, “You never really understand a person until you consider things from his point of view - until you climb into his skin and walk around in it.”  It’s a difficult ideal to live up to, but it’s certainly one to aspire to, and movies like St. Vincent and The Fisher King are helpful – if a bit melodramatic – reminders if that ideal.

The End of Cable? (sniff, sniff)

A few months ago I documented an infuriating experience I had with Comcast for what should have been a simple fix (i.e., replacing a broken router).  Despite the fact that a friend of mine who I hadn’t heard from in over half a year proactively reached out to me to mock my essay, I stand by it, and now Joel Stein of TIME Magazine does too, at least tacitly.

In this week’s TIME, Stein discusses his attempt to transfer his cable service to a new address, but apparently Time Warner shares Comcast’s penchant for ineptness and stupidity.  After several phone calls with no resolution, Stein decided to cut the cord and discontinue cable altogether.  My blog may not have much of an impact on the cable industry, but Time Warner can’t exactly be thrilled with Stein declaring,“…I really, really, really hate Time Warner Cable.”  He certainly isn’t alone.

When Blockbuster went belly-up a few years back, I said to a friend of mine, “Well, I guess that’s what happens when your business model is built on treating customers like three year-old felons.”  Cable companies could learn a thing or two from the likes of Blockbuster.  My family hasn’t had cable TV in over 14 years, and it’s becoming less of a sacrifice with each passing year of added streaming content through Amazon, Netlfix, and the like.  And now, poor customer service is jeopardizing our decision to use Comcast for Internet and phone service.  

It may only be a matter of time before cable compaies take the dive, and when it does, it couldn’t happen to a nicer bunch fo guys.  Except possibly the U.S. Senate and House of Representatives.

Copyright, 2024, Paul Heinz, All Right Reserved